Typically, I've grown tired of zombie movies. Although favorites such as 28 Days Later and the early episodes from The Walking Dead proved gripping, this category seems largely exhausted at this point. Even the much-awaited 28 Years Later remains gathering dust on my to-watch queue for some time. But, the platform's new Indonesian horror film, The Elixir, managed to subvert my expectations turning out remarkably enjoyable.
Excellent Pacing and Character Growth
One of the film's greatest assets is its superb pacing. It begins with a memorable opening sequence in which a peaceful family gathering gets suddenly interrupted by a van plows into the guest area. From the wreckage, an extremely undead-looking stranger emerges proceeding assaulting the attendees. This dramatic scene is then succeeded by a flashback, allowing us to see the family prior to the tragedy occurred.
In contrast to numerous undead movies, The Elixir actually allows viewers sufficient opportunity to get to know the primary characters before the carnage begins. We meet Nes, a wife and mother with a ex close friend, Karina, has become wed to Nes' father—an obviously uncomfortable dynamic. Naturally, this has understandably caused a rift among Nes and Karina. We also see Nes' brother, Bang, described as kind-hearted but a bit inept socially, and who enjoys playing video games with his nephew, Raihan. Her spouse, Rudi, seems to have recently cheated on her. This household head is Nes' father, who runs a popular natural medicine company called Wani Waras, and who seems to care about just two things: his business and his marriage to Nes' former best friend. Needless to say, this family reunion is incredibly tense.
Engaged in the Conflict
I became so engrossed in the family's dynamics and their personal conflicts that I nearly forgot I was watching a horror film—something that could seem like a negative, yet ultimately paid off. The Elixir dedicates a significant portion of the film to showing viewers the identity of every family member represents, plus the ways they contribute to the overall turmoil. This emphasis on conflicting personalities allowed the audience to relate with the characters enough to care about their fate—a rare accomplishment in a genre which frequently presents individuals only to kill them off soon after. The Elixir doesn't treat its cast as two-dimensional, disposable victims for a horde of zombies to consume, so it's a real shock when things eventually deteriorate.
Evocative of Parasite
The opening scenes from the gathering and the multiple household exchanges actually bring to mind the film Parasite, a tale that masquerades as a Korean drama featuring somewhat morbid comedy prior to making an abrupt turn into shocking ground. These introductory moments aren't centered too heavily on humor compared to Parasite, yet The Elixir nonetheless gives enough time to immerse in its world prior to everything gets turned upside down.
Unique Infection Origin
The film also offers a fairly intriguing explanation regarding the origin of the contagious zombification. Rather than an accidental lab leak or a type of biological weapon, the cause for this contagious disease stems from a new sample of Wani Waras natural medicines developed by Nes' father. While we do learn a bit about how it started, it would have been better if the film had spent a little more focus explaining how Wani Waras went from a trusted supplier of natural treatments to producing a lethal potion that appears to include a highly contagious virus. Despite the limited background, the impact this affliction produces on people proves absolutely repulsive, which I love it. The Elixir's undead prove fast, bizarre in appearance, and, perhaps worst of all, always smiling. This represents a bold decision, yet it succeeds. The Elixir's physical effects and computer graphics are also very realistic, and they're practically guaranteed to provoke a fear of holes.
Capable Characters
Even better compared to the gross-out scenes is the cast themselves. Certainly, we see a few examples of questionable decision-making (as in any good zombie movie), however generally, Nes and her relatives show themselves inventive and sharp. Additionally, they don't hesitate to strike a zombie in the head, pierce it with a pitchfork, or hit it on the skull with whatever blunt instrument is available rather than freezing like prey caught in lights as death nears.
Realistic Familial Strike
The Elixir doesn't drop its focus on family conflict once individuals begin transforming into zombies, which was a welcome authentic subversion from the "We don't get along|"We have issues, but since you nearly died I immediately pardon you for all your mistakes!" trope frequently used in end-of-world movies. It's clear, Nes cares for her relatives and cares about her husband, Rudi, but it's also apparent she remains clinging to resentment regarding his infidelity of their marriage vows. When the family becomes split up, they agree over the phone to regroup at a nearby spot. However, once Bang reveals he is unaware the way to the location, Nes unleashes a massive amount of frustration toward Bang that's clearly been brewing over time. Nes isn't flawless, and her family—flawed as it is—feel realistic and relatable because the film doesn't try to promote the idea that nearly dying instantly cures familial strife. This makes those instances when these characters do show gratitude toward one another feel far more sincere.
Predictable Conclusion
In spite of The Elixir's best attempts to break new ground, the ending must be said to be a bit stereotypical. The Elixir isn't really presenting any deep message regarding relatives or community, either. Rather, it's primarily serving up frights. Yet these are successful frights, and since the movie gives each character enough room to develop and doesn't punish them for their imperfections, the result is a captivating and enjoyable
